Cover Art | Hilldiggers & Line War by Neal Asher (Tor)

As has been the case with the rest of Neal Asher's work, Jon Sullivan has been let loose on the remaining two novels of Neal's backlist that hadn't been re-covered in his wonderful, and very suitable, style. And here they are, Hilldiggers and Line War:


During a war between two planets in the same solar system – each occupied by adapted humans – what is thought to be a cosmic superstring is discovered. After being cut, this object collapses into four cylindrical pieces, each about the size of a tube train. Each is densely packed with either alien technology or some kind of life. They are placed for safety in three ozark cylinders of a massively secure space station. There a female research scientist subsequently falls pregnant, and gives birth to quads. Then she commits suicide – but why?

By the end of the war one of the contesting planets has been devastated by the hilldiggers – giant space dreadnoughts employing weapons capable of creating mountain ranges. The quads have meanwhile grown up and are assuming positions of power in the post-war society. One of them will eventually gain control of the awesome hilldiggers . . .
While this is very striking, it's not as good as the other Sullivan covers. It's very reminiscent of the original Hilldiggers cover with a little added flair. Nice, but nothing out of the ordinary.


The Polity is under attack from a ‘melded’ AI entity with control of the lethal Jain technology, yet the attack seems to have no coherence. When one of Erebus’s wormships kills millions on the world of Klurhammon, a high-tech agricultural world of no real tactical significance, agent Ian Cormac is sent to investigate, though he is secretly struggling to control a new ability no human being should possess . . . and beginning to question the motives of his AI masters.

Further attacks and seemingly indiscriminate slaughter ensue, but only serve to bring some of the most dangerous individuals in the Polity into the war. Mr Crane, the indefatigable brass killing machine sets out for vengeance, while Orlandine, a vastly-augmented haiman who herself controls Jain technology, seeks a weapon of appalling power and finds allies from an ancient war.

Meanwhile Mika, scientist and Dragon expert, is again kidnapped by that unfathomable alien entity and dragged into the heart of things: to wake the makers of Jain technology from their five-million-year slumber.

But Erebus’s attacks are not so indiscriminate, after all, and could very well herald the end of the Polity itself . . .
Now this, THIS is what it's all about. It captures the book perfectly, is as accurate as cover art can get and lets you know exactly what's in store here. Again, you can see the original cover here, but this is so much better.

I'm going to buy these books again, just to have the whole series with these covers on my shelf. Awesome.

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